May 2022

25th

I am currently at a friend's house, where I will be updating these pages. I am grateful to be in a quiet environment for a few days at least. The next day, I started having withdrawal symptoms from a Vitamin B12 shot I had three months ago. I had a sudden onset of anaemia and started vomiting, but I was able to recover within an hour after my friend gave me some B12 tincture. This could be a real issue for me in the future.

24th

When I rolled up the sleeping mat in my Ken tent in Charlton King's area of Cheltenham, countless black bugs appeared, so I fumbled to get them and hurl them out of my tent. How fortunate I am to have discovered my hat at the base of my sleeping bag. After packing up my belongings, I headed to Leckhampton Hill via the footpath. There was a closed footpath in the way of my walk. People who walk here are usually nice; a woman who had moved from London to Cheltenham stopped to talk to me. Access to the hill was blocked by a fallen tree, but the ascent was simple along a rocky road.

Verdant hillside, possibly in a rural or woodland setting. The foreground features a tangle of fallen, decaying branches. Beyond, the hillside slopes gently upwards, covered in lush green grass and a variety of trees and shrubs. In the background, a valley or other low-lying area is visible, indicating a relatively open landscape beyond the immediate hillside. The overall impression is one of peaceful natural beauty, possibly taken on an overcast day given the soft, diffused light.
Panoramic view of a verdant landscape under a partly cloudy sky. The foreground is a gently sloping grassy hill with faint paths. The mid-ground and background consist of rolling hills covered in lush green forests and fields, extending to the horizon. The overall atmosphere is serene and peaceful, evoking a sense of tranquillity and the beauty of nature. The lighting suggests it's likely daytime, with sunlight breaking through the clouds.

A quarter of the way up the hill, the view became clear.

Panoramic view of a city nestled in a valley, seen from a vantage point on a hill. In the foreground is a lush green hillside with various trees and shrubs, one prominent bush blossoming with white flowers. The mid-ground displays a dense forest covering the slope of the hill. The background reveals a sprawling cityscape extending to the horizon, with rolling hills and a partly cloudy sky. The overall impression is one of a tranquil, scenic landscape contrasting the vibrancy of nature with the urban expanse.

A rocky, golden path became smooth as it entered the Cotswold Way.

Large, light-coloured snail crawling on dry, sandy ground. The snail's shell is predominantly light beige or pinkish-beige with subtle striations. The ground is composed of small, loose rocks and sandy particles, primarily in shades of light brown and tan. The snail's shadow is partially visible on the ground.

The view of Cheltenham was quite something at the top.

Panoramic view from an elevated position, possibly a hilltop. It shows a sprawling landscape with rolling green hills dotted with trees and patches of farmland. In the distance, a large city or town is visible, extending to the horizon. The sky is mostly cloudy with varying degrees of cloud cover. The overall impression is one of a serene, expansive countryside scene contrasting with the urban sprawl in the background.

Look how verdant these tree leaves are.

Cluster of reddish-brown leaves attached to a tree trunk. The leaves are vibrant and appear to be from a deciduous tree, possibly a copper beech, exhibiting autumnal colouring. The background is blurred but shows green grass and other vegetation. The overall impression is one of autumnal beauty and the natural cycle of life.
Gently curving, light-brown gravel path winding through a grassy field. Lush green trees line the path, creating a shaded, natural walkway. The path leads towards a distant view that hints at a town or city in the background, partially obscured by the foliage.
Dirt path forking on a grassy hillside. A small wooden marker post is visible at the beginning of one path. In the distance, a panoramic view of rolling green hills and a valley stretches out under a cloudy sky. A solitary bench sits on the hillside to the right of the path.

The plinth at the summit was painted in different colours.

Grassy hill under a cloudy sky. Atop the hill is a tall, light-colored marker or signpost. In the foreground, there are patches of purple wildflowers and some rocks nestled in the grass. The overall impression is one of a quiet, somewhat desolate, yet naturally beautiful landscape.

It hailed when I arrived at the western face, there is a stack there made by workers at the quarry that was once operating here. The moody grey sky arriving from a south-western direction punched hail stones onto walkers faces.

Vast field of tall, green barley under a dramatic, overcast sky. A small cluster of trees is visible on the horizon line to the right. The overall mood is serene yet slightly ominous due to the heavy clouds.

Leaving the hill, there were many pretty flowers.

Close-up view of several Aquilegia flowers, commonly known as Columbines. The flowers are a deep purple and appear to be wet with raindrops. They are in various stages of bloom, with some fully open and others beginning to wilt. The background is soft-focus greenery, suggesting a garden setting. The overall impression is one of natural beauty and the fleeting nature of blossoms.
Single white flower, possibly a type of campion, in bloom. The flower is delicate and slightly droopy. It's surrounded by tall, slender green grasses and other vegetation, suggesting a field or meadow setting. The background is blurred, focusing attention on the flower itself.
Dense cluster of white Clematis flowers. The flowers are in various stages of bloom, some fully open, others partially closed, and some showing signs of ageing.

I entered Crickley hill. Hungry, I rested and had lunch at Crickley hill's Wildlife trust café; the food was delicious.

Simple café scene. A wooden table holds a black tray with a mug of tea, a pastry (possibly a Cornish pasty), a small spoon, and cutlery. Salt and pepper shakers and a small vase of purple flowers are also visible at the edge of the table. In the background, a cafe sign says Cafe Open for... and a partially visible outdoor seating area is visible through a window. The overall mood is peaceful and suggests a relaxing break.

I knocked the milk jar over because often I miss coordinate my hands, these accidents happen often due to suffering so much trauma.

Chalkboard sign listing recent wildlife sightings at a nature reserve, likely in Gloucestershire, England. The sign is mounted on a wooden wall. The sightings include various butterflies, adders, bluebells, orchids, birds (such as peregrine falcons, woodpeckers, and various tit species), and other animals. A small illustration of a rabbit and some plants is at the bottom. The text emphasises the importance of staying on paths to protect the delicate plants. The overall impression is one of promoting awareness of local biodiversity and responsible nature viewing.

Recent sightings = Adders :) and a cuckoo, :( how ironic. There was also an insect hotel they'd named Bugingham Palace.

Multi-level insect hotel, resembling a small house, constructed from natural materials like wood, stones, and twigs. It's situated outdoors next to some greenery and a gravel path, with a small sign identifying it as Buckingham Palace, playfully referencing its function as a luxury lodging for insects. The design is whimsical and functional, catering to various insect species.

The view from Crickley hill is quite something.

Panoramic view of a sprawling countryside landscape, taken from an elevated vantage point. Rolling green hills dotted with patches of yellow flowers dominate the foreground, leading the eye to a distant cityscape visible on the horizon. Two individuals are seen walking along a dirt path that winds through the hills. The sky is partly cloudy, adding depth and texture to the scene. The overall impression is one of vastness and the beauty of the natural world contrasted with human settlement in the distance.
Panoramic view of a verdant valley, captured from an elevated vantage point on a grassy hillside. The valley is a patchwork of rolling green hills, dotted with trees and what appear to be agricultural fields. A lone, slender coniferous tree stands prominently near the foreground on the grassy slope. The sky is mostly clear with fluffy white clouds, suggesting a bright, sunny day.

And a view of Crickley hill.

Panoramic view of a lush green hilly landscape under a partly cloudy sky. The foreground is filled with dense, leafy trees and shrubs. The mid-ground reveals rolling hills dotted with more trees and a few small buildings or houses, suggesting a rural or semi-rural setting. In the far background, a flat expanse of land stretches to the horizon, hinting at a wider countryside.

The walk past the Air Balloon pub was chocking with heavy traffic, I'm surprised the business manages to remain open; if it were not for the cranky clientele that frequent it. I took the path along the hillside to avoid Barrow Wake viewpoint, subjected to anti-social use by doggers and other creepy perverts.

Sun-dappled path winding through a lush, green forest. Tall, slender trees with bright green leaves create a canopy overhead, casting shadows on the ground. The path is dirt or gravel and appears well-trodden.
Dirt path winding through a sun-dappled forest. The path is bordered by steep banks covered in lush green vegetation and a layer of brown leaves. Tall, slender trees with dense canopies create a canopy overhead, filtering the sunlight. The path could be interpreted as a metaphor for a journey or a passage through life.

The Cotswold way became awesome once more as I entered some woodland.

Dirt path winding through a lush, green forest. Sunlight dapples the path, and the trees create a canopy overhead. A wooden marker post, indicating a trail or footpath, is visible on the left side of the path.
Forest path winding through a lush, green woodland. The path is earthy and uneven, with exposed tree roots forming a significant part of the terrain. The trees are tall and slender, with dappled sunlight filtering through the canopy. Small mounds or hillocks are visible along the path, suggesting a possibly uneven or naturally undulating landscape.

Something disturbing was going off in Buckholt woodland, but I found a pretty flower and took a photograph of it.

Close-up view of a single, vibrant pink flower with prominent veining. The flower has five petals with deep pink veins running through a lighter pink background. It's surrounded by lush green foliage.

A few miles along the national footpath, I arrived at Painswick Beacon, which is the highest point in Gloucestershire; the Wysis Way crosses the Cotswold Way here also. Some person, probably local, had been severely offended by the dropping of litter.

Weathered, off-white sign staked into the ground. Handwritten in black marker, the sign reads ANTI SOCIAL! How is throwing this rubbish in the brambles acceptable? BIN IT or TAKE IT HOME! Directly below the sign, a large, translucent plastic sheet lies on the ground. The sheet is irregularly shaped, rumpled, and contains a scattering of refuse—bits of plastic, paper, and possibly organic waste. This refuse is subtly visible through the plastic's translucency. The sign and the plastic sheet are the main objects highlighting the message of littering and its consequences. A simple wooden post supports the sign, driven into the earth.

Arriving onto the golf course, an elderly man with his wife approached. He attempted to rub my ego as he approached me, in an exacting same manner a climber approached me on the way to Ben MacDui summit, just a few days ago. He wanted to take some walking poles he'd made out of hazel and offered a lift into Painswick; I declined.

Marker is the focal point, occupying a significant portion of the frame. Its stone is a mottled, earthy brown, heavily textured with lichen or discolouration, suggesting age and exposure to the elements. The top is somewhat irregular, showing signs of natural erosion. A white enamelled plaque is affixed to the marker's face, bearing the inscription THE COTSWOLD WAY in a slightly arched semi-circular pattern at the top, flanked by decorative elements. Below, a stylised house icon points downwards, followed by the word BATH and the number 55, indicating distance or a waypoint. The plaque's white is faded, with hints of aged yellowing. The metal edging shows signs of rust or wear.

After walking past a quarry my map application on my mobile phone failed to load the Cotswold way after the village of Painswick but I found my way through OK, because I have been to this place before.

Sprawling, gently sloping field of vibrant green grass, speckled with tiny yellow wildflowers. The foreground is dominated by this grassy expanse, punctuated by patches of bare, dark brown earth, suggesting a lightly-used path or track. In the midground, a line of lush, verdant trees and shrubs creates a natural boundary, their various shades of green indicating different species and densities. Beyond the trees, rolling hills covered in similar green foliage stretch into the distance, their shapes soft and undulating under a cloudy sky. A village or small town is faintly visible in the mid-distance on the horizon, indicated by clusters of buildings and a tall, slender structure (possibly a church steeple) that stands out against the hillside.

As 5pm approached I'd walked over sixteen miles; my feet had become sore from wearing in my new walking boots; I messaged my faery friend and she came and picked me up in her car; a mere 30 or so yards from the village of Edge.

A quiet country road scene. The main focus is a paved road stretching from the foreground to the middle ground, where it curves gently to the right. White dashed lines delineate the road's center. A grassy verge, dotted with small white wildflowers, runs alongside the road on both sides. A narrow, unpaved footpath or bridleway meanders parallel to the road, also moving from the foreground towards the middle ground, seemingly leading to a pub.

I was glad to arrive at my faery friends house. The hot water of the shower running over my body calmed my quivering and a hot meal helped me rest for the night.

23rd

Last night was hot and muggy, I lay crippled with exhaustion, needing to raise my head and make a pillow but too tired to crunch up my clothes to raise my head. This morning I am very anxious. Packing away my tent, I noticed my hat was missing; I know I was wearing it when I put up my tent, but now I find it has completely disappeared this morning. I am suspecting the hat fell off my head as I was entering the tent, then it was taken during the night.

Tranquil canal, its dark, still water reflecting the surrounding lush greenery and a muted sky. A towpath, a light brownish-grey, runs alongside the canal on the left, winding gently into the distance. The path is bordered by verdant vegetation, gradually increasing in height and density as it moves further away. The canal itself is calm, with gentle ripples barely disturbing its reflective surface. In the far distance, a hint of a lock or bridge structure is visible, barely discernible through the trees, suggesting a quiet, perhaps rural, setting. A large, overarching oak tree dominates the upper left and centre of the frame, its branches creating a natural canopy that frames the scene.
Low, broad waterfall cascading into a dark pool of water. The water flows over a structured, slightly curved weir or dam, creating a series of thin, parallel streams that froth and foam at the point of impact. The top portion of the water displays significant white froth and foam, suggesting a forceful yet relatively shallow flow. The water below the weir is dark and still, reflecting a muted image of the surroundings. The waterfall is the dominant feature, occupying the central two-thirds of the frame. Flanking the waterfall are verdant banks with thriving vegetation, including green shrubs and flowering plants.
Single, vibrant yellow Iris flower, in full bloom. Its petals are a rich, golden yellow, exhibiting subtle variations in tone and texture. The flower's fall is prominently displayed, with its distinct markings visible. The flower's stem emerges from a cluster of long, sword-like green leaves, characteristic of Irises. The stem itself is a pale yellow-green, extending upward and slightly curving. Other Iris blossoms, also yellow, are visible in the background and foreground, slightly out of focus, creating a depth of field. They are at various stages of bloom, some more open than others. The flowers are not interacting; they are simply existing in their environment.
Vibrant cluster of elderflower blossoms (Sambucus nigra). These blossoms are a creamy off-white, composed of numerous tiny individual flowers densely packed together to form a large, rounded inflorescence. The blossoms are in full bloom, displaying their delicate, star-like petals. They are nestled amongst the lush, dark green foliage of the elderberry plant. The green leaves are serrated, with prominent veins, and provide a stark contrast to the lighter color of the flowers. Undeveloped flower buds, still green and tightly closed, are visible on the stems among the blooming flowers, indicating different stages of growth. The stems and branches of the plant are visible, showcasing its structure. There are no people or animals in the image.

I found a café where I purchased a substantial vegetarian breakfast for only £5, the owner talked about how him and his partner had invested everything they had into the business. A step into the unknown that had been successful for four years since opening, despite financial anxieties about an uncertain future.

Tranquil canal seen through a triangular opening formed by the supporting concrete structures of a bridge. The bridge's underside is light beige concrete, showing significant age and discoloration, with patches of pale green algae or lichen visible, particularly on the vertical support beams. The canal's water is a calm, murky olive-green, reflecting the muted light and the bridge's structure above. The walls of the bridge framing the view are also concrete, showing similar age and discoloration as the under-bridge structure. The overall lighting is soft and diffuse, suggesting either an overcast day or subdued natural light. The colours are muted and earthy: beige, olive green, dark grey, and light brown.

I purchased a ticket at Warwick parkway to Birmingham Moor Street (trains did not go to New Street from this station) for a mere £8. Walking up the stairs onto the platform, a countryside view unfolded.

Verdant pasture, occupying the majority of the foreground and extending to a low fence. A lone dark horse, predominantly black with possibly a small white marking (difficult to discern fully), grazes peacefully near the center-right of the pasture. Its posture is relaxed, suggesting a tranquil moment. Behind the fence sits a cluster of brick buildings, predominantly a two-story, gabled house with chimneys and a slightly lower, attached barn-like structure. These buildings are rendered in muted brick reds and oranges, showing some age and weathering. The architecture appears traditional, possibly rural English. In the distance, behind the buildings, are lines of low-lying structures and trees, indicative of a typical English countryside village.

I caught the train at 9.16am.

Nearly deserted train platform at Warwick Parkway station. The platform is long and stretches into the distance, disappearing around a gentle curve. It features a light grey concrete surface with a tactile paving strip for visually impaired passengers. A bright yellow line delineates the edge of the platform, and the words Mind the Gap are stencilled in white on the dark asphalt next to it. Three blue metal benches sit unoccupied near the station building. The foreground is dominated by the platform and tracks, while the background includes the station's car park structure, which is grey metal with a multi-level design. There are no people present.

Arriving at Moor street, a lanky male Rastafarian, gave me a filthy look whilst stood on the train walkway. He placed his bag to the right of me and, looked as though he was attempting to find a button from the outside of the black canvass bag, was alarming. Still being early, I found a Witherspoon pub (the Square peg) and waited for my twitter friend to arrive.

ull bottle of Kingfisher Premium Lager beer dominates the lower-middle portion of the image. It's a dark green glass bottle, reflecting some light. The label is predominantly red and white, featuring the Kingfisher logo (a bird in flight) and text highlighting PREMIUM LAGER BEER and SINCE 1857. The bottle stands upright on a dark wooden table. Blurred figures are visible in the background through the pub's windows and inside the establishment, suggesting a lively yet indistinct atmosphere. One partially visible person in the far background appears to be seated at a table.

Insane how many White males are homeless on the streets of Birmingham city centre, absolute disgrace. Most white males on the streets of Birmingham city centre are of white Norse origin. Had a nice day with my Twitter friend Maria, we went to some pubs and experienced Norwegian teenagers enjoying playing a circular chase game outside law courts, their passage circulated my soul and I felt akin to meet them, my people. I searched Birmingham city centre for a camping shop, but could only find Millets.

Pair of brown leather hiking boots, positioned directly facing the viewer. They are laced with dark grey laces, and the laces are slightly loose. The boots show some light creases and softening of the leather, indicating slight use. The boots are partially obscuring the wearer's legs, clad in dark maroon or burgundy socks that extend from the tops of the boots. Only the lower legs and feet are visible. The boots rest on a richly patterned carpet or rug. The carpet exhibits swirling, abstract patterns in deep burgundy, taupe, and off-white, creating a warm, somewhat opulent backdrop.

There were many walking boots for sale, after trying on a couple I settled for a brown pair of Berghuas at £135, that was reduced from £160. I also purchased two pairs of walking socks at £20. I left my old boots and socks in a bag, they smelled foul, the shop attendant offered to bin them for me.

Bald, light-skinned man in his 40s or 50s, wearing a crisp white, long-sleeved shirt, a dark tie, and a dark-red lanyard around his neck. He also sports a light-blue surgical-style mask covering his nose and mouth, and a dark-colored wristwatch on his left wrist. He appears to be a train attendant or conductor, given his attire and the setting. He's standing in the aisle of a train, slightly turned toward the viewer, his body angled towards the back of the train. He's subtly holding something in his left hand, possibly a ticket or device, while his right hand is slightly lower. Surrounding him are several passengers seated in red train seats. One passenger, in the foreground, is a person with dark hair whose face is partially obscured and slightly tilted downward; it looks like they might be sleeping or resting. Other passengers are partially visible, their faces mostly indistinct.

The train arrived in Cheltenham spa in no time at all… Being first and only the train made.

Close-up portrait of a fair-skinned woman (Leonie) with shoulder-length, slightly wavy light-brown hair. She's positioned slightly off-centre, facing the viewer directly. She appears to be seated, as suggested by the background. Her expression is neutral, perhaps slightly pensive or tired, with a soft focus in her light blue eyes. She wears a teal ribbed headband that pushes her hair back, a red top with a delicate white floral pattern, and a denim-toned jacket or sweater. A simple silver chain necklace with a small, round pendant hangs around her neck. Small silver earrings are visible in her ears. Her eyebrows are light and relatively thin. Her skin shows some sun exposure or freckles. The background is blurred but reveals part of a red fabric seat (possibly a bus or train seat) and a portion of what seems to be a dark grey or black trekking pole, partially visible on the right. The setting appears to be indoors, within a vehicle of some kind, given the red seat and pole. The lighting is soft and diffused, seemingly natural light possibly coming from a window outside the vehicle, lacking harsh shadows. The overall color palette is warm, dominated by the reds of the clothing and seat, contrasted with the cool teal of the headband and the muted blues and greys of the jacket and background elements.

I popped into a shabby pub named “the Midland”; an Asian man walked in, nodded to an overweight (bruiser style) bar maid, then left through a door marked “private”. Here, as I was talking on my phone, the bar maid turned the music up loud when I was on the phone and began speaking in an Irish accent (changing from a thick Gloucestershire accent). The first song that played was an Irish folk song that began with the lyrics “We don't care where you have been or what you have done”. After five minutes I realised they were playing IRA songs, I finished my pint of Coors larger and upon leaving, exiting I was insulted by a publican at the door. Arriving in Montpellier, I found a restaurant (Cote) and enjoyed French onion soup (my favourite) and a fish / potato dish. The waiter held back letting me have a table when I entered, but warmed after knowing there was a table available.

Tall, clear glass of light amber beer, slightly foamy at the top. The glass has a subtly textured, possibly ribbed, design. Beside it, slightly behind and to the right, sits a bottle of Gallia beer, dark amber in colour, with a distinctly stylised label featuring a yellow-green graphic design and text. A small, clear glass candleholder with a lit candle rests near the beer bottle. A crisp white napkin and silverware are subtly visible on the marble table. Blurred but discernible figures sit at tables in the background, suggesting a bustling restaurant or pub setting. The people are dressed in casual attire, mostly muted tones. Their forms are indistinct, serving primarily to suggest depth and context.
Stemmed glass, possibly a sherry or dessert wine glass, filled about halfway with a dark amber whisky. The glass is slightly out of focus, creating a soft, dreamlike quality. Its clear glass allows the rich colour of the drink to shine through. Beside it sits a shorter, wider glass, seemingly empty, with a faint logo visible. A small potted plant with dark green leaves sits between the two glasses, adding a touch of nature to the scene.

The rain hammered down as I left the restaurant, I walked along the park and entered a bar. The bar had a strange animosity present, and the whiskey (Dalmore) I usually order they claimed to no longer have stocked. Nearing ten o'clock, I exited and walked to Chalton Kings, I searched for a place to pitch my tent. Tired, I settled by the side of a cycleway, Although I can remember pitching my tent in the rain, I cannot remember going to sleep.

22nd

Woken at 6am, light rain moved over my tent, but I am dry. Last night, I pitched on Hartfell mountain because I desperately needed some undisturbed sleep to alleviate severe mental and physical exhaustion.

View from inside a tent, specifically looking out through a slightly ajar zip opening. The tent's interior is only partially visible. A section of bright, Kelly green tent fabric forms a sharp, angled line dominating the left third of the frame. A sliver of a muted orange/brown fabric is visible on the right edge, suggesting another part of the tent structure. The main subject beyond the tent is a vast expanse of tall, dew-laden grass stretching across the lower two-thirds of the image. The grass blades are a vibrant green, showing droplets of water clinging to them, creating a glistening effect.

This morning I am rested, but as anticipated, the dew soaked me feet, socks and walking boots… so need a new pair!

Close-up, slightly high-angle shot centred on a pair of worn, brown leather hiking boots. The boots are laced up and appear damp, showing signs of use and exposure to the elements. They are positioned in the center of the frame, slightly angled outwards. The boots are being worn by a person whose lower legs and feet are visible. We see dark maroon or burgundy leggings and grey wool hiking socks pulled up to just below the calf. The person is stationary, their legs slightly apart.

Took a few pictures of the countryside on my way through Moffat towards the M74.

Four to five clover blossoms, with their characteristic round, puffy heads composed of tiny individual flowers, are scattered amidst the taller grass. They are a rich, slightly purplish pink, and appear moist, perhaps from recent rain or dew. The blossoms are at different stages of bloom, some more fully opened than others. They are positioned at various points within the frame, neither centrally located nor uniformly spaced.
Cluster of delicate, pale pink hyacinth-like flowers, likely a variety of bluebell (Hyacinthoides), densely packed along a single, slender, upright stem. The flowers are bell-shaped, with slightly translucent petals, and many are adorned with tiny, glistening water droplets, suggesting recent rain. The blossoms are at various stages of bloom, some fully open, others still in bud form, creating a layered effect. The stem is a soft, muted green, curving gently upward.
Single, delicate pink flower, seemingly a type of campion, nestled within a vibrant green leaf. The flower is fully bloomed, displaying five softly rounded petals. Its color is a light, almost pastel pink. The leaf it rests on is large, ovate, and shows a prominent central vein. It is a bright, verdant green with numerous water droplets clinging to its surface, suggesting recent rain. The leaf is slightly angled, displaying its entire form. No people or animals are present.
Multitude of small, delicate white flowers. Each blossom is composed of five petals, appearing star-like. They are densely clustered along slender, green stems that reach towards the viewer and spread across the frame. The stems are interspersed with small, lanceolate-shaped leaves, creating a rich texture. There are no people or other objects present. The flowers are in full bloom, exhibiting a pristine white colour.
Narrow, asphalt country lane, stretching from the foreground to the vanishing point in the far distance. The road is composed of dark grey, coarse asphalt, appearing slightly damp or wet, reflecting a subtle sheen under the diffused light. The lane is flanked by verdant verges, lush with vibrant green grass, punctuated by patches of flowering white weeds (possibly wild garlic or similar) closer to the tree line. A hedge runs parallel to the road along the right side, forming a natural boundary. No people or vehicles are present; the road appears tranquil and empty.
Vibrant cluster of yellow flowers, hanging in a pendant-like formation from a slender, dark brown stem. The flowers are pea-like in shape, with individual blossoms slightly curved, giving them a delicate, almost whimsical appearance. Each flower has a soft, satiny texture implied by the way the light reflects off their surfaces. Some flowers are fully open, displaying their bright yellow hue, while others are still budding or partially closed. Water droplets are visible on the petals and leaves, indicating a recent rain. The stem and branches supporting the flower cluster are intertwined with dark green leaves, displaying moisture from the rain. The flowers seem to be hanging downwards in a cascading arrangement.

Walked straight through Moffat, and onto the M74 junction. The first lift took me to Penrith and was given by an elderly couple visiting friends in the lake district.